This online rhetoric, provided by Dr. Gideon Burton of Brigham Young University, is a guide to the terms of classical and renaissance rhetoric.
Sometimes it is difficult to see the forest (the big picture) of rhetoric because of the trees (the hundreds of Greek and Latin terms naming figures of speech, etc.) within rhetoric.
Go to Silvia Rhetoricæ for a glossary of terms, theoretical concepts, and rhetorical devices.
Metric feet sounds like it’s about how Canadians measure distance — we drive and run in metric, but we talk about our height in feet.
This metric feet is about the rhythm of language.
Meter is the pattern of stressed and unstressed syllables. The feet are the metrical units. And they have names.
You’ve probably heard of Shakespeare’s iambic pentameter (five iambs in a line):
Two households, both alike in dignity, In fair Verona, where we lay our scene
And there are more patterns. In Constance Hale’s chapter on rhythm in Sin and Syntax, she includes this little gem to remind us of the more popular metric feet:
The iambs go from short to long.
Trochees sing a marching song.
Dactyls go dancing as light as a feather.
But the anapest’s different, you see, altogether.
This answers one of the main problems I have with ebooks — the clunky navigation.
A list of online resources and blogs for writers, sometimes accompanied by unrelated photos, collected by Sharon Twiss, technical communicator, web writer & instructional designer.